Friday, December 20, 2024

The Exorcism of Cha So-mi: Devils Stay (2024) Review


Director: Hyun Moon-Seop

Notable Cast: Park Shin-Yang, Lee Min-Ki, Lee Re




Within the last year or two, Korean cinema has seen a small boom of quality horror films, with the likes of Sleep, Metamorphosis, and even this year's standout in genre, Exhuma, all leaping to mind. Needless to say, quality fluctuates for the genre in South Korea, just as it does with any other country, but horror seems to be making a big comeback that we haven't seen from the region since the early 2000s, and I'm here for it. This year alone, I've seen quite a few Korean horror films, and I've enjoyed my time with each, to varying degrees of course, but where does the latest religious based themed horror Devils Stay land? Well, I'd say it is a good time, but certainly has a bit of a bumpy presentation overall, which I hope to express my thoughts on here.


The plot for Devils Stay follows a surgeon, played by Park Shin-yang and his daughter So-mi (Lee Re), who have a very special relationship. They are a very strong father and daughter duo, but So-mi has a failing heart, so her father, Seung-do sets out to find her a new organ. This is sort of the backstory of what is actually going on in the current time setting, but this is all revealed very, very early on. In modern times, however, the daughter has appeared to die after an exorcism has gone terribly wrong, which is carried out by the priest Bae Hae-sin, who is played by Lee Min-ki, an actor I think often gets overlooked in the industry, but I digress. An exorcism, and a failing heart, you say? Yes, and does it seem like that is all revealed rather quickly? Also... yes, and I think if I had to go straight into my main issue with this film it is that everything that happens in its short 90 minute runtime, is both a strength and indeed a weakness. The story is breakneck from beginning to end, and while sure it is entertaining along the way, the story tends to fold in on itself quite often, moving from point to point to point, without actually feeling like much is happening at all, even though there is quite a bit going on. The character development moments are there, they are just so fleeting and brief when you catch hold of one, that it comes and goes just as quickly as any other moment in this almost too fast paced horror.





As mentioned before, I think the biggest strong suit of Devils Stay comes in the acting department. Lee Min-ki is the super badass and relentless priest that will stop at no limits to battle the demonic forces around him. I liked his arc quite well, but again it all seems to happen in the blink of an eye. Lee Re is very good as the daughter, Cha So-mi. She sells that layer of humanity that you need to really be routing for her character to pull through with her dark struggles. She is at once a charming and very smart young character that really vibes with her father, but on the flip side Lee gets to really tap into the possessed character bit quite often and she really showcases a great range on the more horror side of her performance. Rounding up the cast is the leading man, the father Cha Seung-do, who is played by veteran Park Shin-yang, who I hadn't seen in a film since 2013's Man on the Edge, and this guy ruled the big screen in the early to mid-2000s. He is great here, and that comedic side that he exudes in many of his earlier roles is completely gone here. Park leans heavily into his dramatic chops here playing a father who has been pushed far beyond his limits and has become completely broken, but he gives this strength that is needed to help solve this situation that they are in.


Devils Stay features a weird combination of striking and beautifully haunting imagery and also quite a few gimmicky editing tricks and odd effects put onto many shots, using a lot of cheap visual tropes to lean into some rather cheap and unfortunately shallow scares. Again, it is a weird juxtaposition because on the other hand as I said, there are some truly beautiful moments and really strong cinematic shots that are sure to be lingering in my mind for some time to come. I think the scares also suffer from this very same lack of balance. Certain moments burrow there way under your skin and make your whole body crawl with fear, and other moments border on feeling like a first time student film. It's such a baffling combination and makes me wonder how many people were working on this to make the end result feel so lopsided at times. It is equally impressive and frustrating simultaneously and I can't wrap my head around what led to some of the things shown in the final product, for better and for worse.





At the end of the day, I think Devils Stay has a lot going for it, but ends up stumbling around a few too many times. That being said, this one does fly by at such a pace, that you may not have any time to think until after the credits have rolled. I certainly can safely recommend this one to horror fans of many varieties, as the entertainment value is there, I just with the technical side was honed in a bit more and the story had some time to breathe a little and thus be fleshed out better. Still, those great moments are worth the hiccups and with caveats noted, I think Devils Stay gets a certain recommendation from me and makes for a fun way to close out 2024's great year of horror from all over the globe.



Written by Josh Parmer

Sunday, December 8, 2024

The Action We Knee-d: Striking Rescue (2024) Review

Director: Cheng Siyi

Notable Cast: Tony Jaa, Chen Duo-Yi, Eason Hung, Xing Yu, Philip Keung Ho-Man, Yu Bolin, Mao Fan

 

Although Tony Jaa has seen his fair share of little cameos or more minor secondary roles throughout the years, lately, he’s taken chiefly roles as part of an ensemble or as a second lead to someone else. Were the days of a Tony Jaa lead film already over?

Well, if there’s any industry that can revitalize a career in action with minimal risk and maximum reward, it’s the damn Chinese streaming industry. So, in a strange twist of fate, it’s not flirting with Hollywood that would reignite Jaa’s leading man career, but it’s a straight-to-streaming action flick like Striking Rescue. Not that this one is going to find a ton of new fans, but it’s definitely going to light the fire for a lot of action fans with its blend of baseline action drama, brutal action beatdowns, and a very shouty, darkened performance by our leading hero, the hero of elbows and knees. Striking Rescue is the kind of film his fan base has been asking for - light on plot, heavy on beatdowns.


Wednesday, October 30, 2024

Brick by Brick: Twilight of the Warriors: Walled In (2024) Review

Director: Soi Cheang

Notable Cast: Raymond Lam, Louis Koo, Terrance Lau, Tony Wu, German Cheung, Philip Ng, Richie Jen, Sammo Hung, Kenny Wong Tak-Ban, Aaron Kwok, Fish Liew

 

Director Soi Cheang is on a roll.

After he dropped the long-awaited sequel SPL2: A Time for Consequences almost 10 years ago, renamed Killzone 2 for its US release, Soi Cheang took a wild detour to film two Monkey King movies. Although those films are entertaining, one must wonder if Soi Cheang’s career would be completely derailed by massive blockbuster fantasy.

Yet, he pulled a 180 from that for two films in a row by dropping the award-winning thrillers Limbo and Mad Fate over the last couple of years. It’s a shift that truly indicates just how talented he is as a director. Not only did he direct one of the best modern Hong Kong action films with SPL2, but Limbo was one of the best neo-noirs of recent memory. 

 

Friday, October 25, 2024

Deck The Halls... in Blood and Guts: Terrifier 3 (2024) Review

Directed by: Damien Leone

Notable Cast: David Howard Thornton, Lauren LaVera, Antonella Rose, Elliot Fullam, Samantha Scaffidi, Margaret Anne, Bryce Johnson, Alexa Blair Robertson


The slasher sub-genre of horror is something I've been a huge fan of since morbid curiosity took over as a young boy, sneaking off to my cousin's house to watch the Friday the 13th and Nightmare on Elm Street films; I've always enjoyed a good on-screen massacre. What that says about me, who knows, but I do know what I like it and I feel over the decades, this avenue of horror has had many ups and downs. Here in this point in time, Damien Leone and friends are really bringing out the goods with his demented and twisted take on the genre in the form of the Terrifier films. 


I have been digging these since the beginning. I did miss out on All Hallows' Eve, but many Art fans have been visiting those retroactively, and for good reason. Art the Clown, everyone's favorite demonic circus act, has launched himself into the stratosphere alongside the likes of any of the aforementioned horror series' icons. David Howard Thornton, who dons Art's tiny hat, clearly pours his heart and soul (I know, I know) into every frame he is in, and his charismatic killer clown is at a series best here in Terrifier 3, where he takes our good friends from the second film, and give them a nice little Christmas break. Here's to the holidays.

Friday, October 11, 2024

Bet on Odd: Oddity (2024) Review

Director: Damian Mc Carthy

Notable Cast: Carolyn Bracken, Gwilym Lee, Tadhg Murphy, Caroline Menton, Jonathan French, Steve Wall, Joe Rooney

 

Oddity is a film chock full of elements that could easily go wrong. Despite a solid trailer and the backing of both Shudder and IFC Films to validate its content, it’s just a film filled to the brim with off-kilter aspects that, in the wrong hands, could immediately take the film deep into the uncanny valley. 

 

There are twins, a giant wooden monster doll, a psychic that collects haunted objects, and one of the main characters is the doctor at a mental illness facility. On paper, those could quickly go awry. I’ve seen a handful of movies with just one of those things that careen a film off the cliff and straight into unintentional comedy. I suppose that’s to be expected with a title like Oddity.

 

Yet, through and through, writer and director Damian Mc Carthy manages to breeze through the uncanny valley and straight into a film showcasing what it means to ‘thread the needle.’ Oddity is slathered in wild jump scares and terrifying tension. Its limited budget is a benefit in crafting what might translate to a theatrical stage very efficiently as a chamber horror, and the film creeps so cleverly into one’s psyche that it lingers well after the credits roll. Not unlike Mc Carthy’s previous film, Caveat

 

Saturday, October 5, 2024

Dodging Bullets: Take Cover (2024) Review

Director: Nick McKinless

Notable Cast: Scott Adkins, Alice Eve, Jack Parr, Billy Clements, Mădălina Bellariu Ion, Renars Latkovskis, Nik Coleman, Alba De Torrebruna

 

Take Cover is simple, which I appreciate wholeheartedly. While theatrical action films continue to try to bring flocks of people to the theater with spectacle, the Scott Adkins vehicle continues to run on simple ideas, strong action execution, and just enough thoughtful drama to build a foundation. That's it. That's all. 

 

Take Cover is just that. Less is more. 

 

The concept? Two mercenaries, a sniper (Adkins) and his spotter (Parr), are trapped in a massive hotel room by another sniper and a handful of baddies waiting to crush them if they try to leave. The simplicity breeds creativity, and Take Cover can take advantage of it. Yes, the film does start outside the room, showcasing a job that goes sideways, the chemistry between the two men as partners, and their abilities as fighters, shooters, and escape artists, but really, it's all set up to The Room. Once it gets there, despite a few convenient flaws of logic in the script to keep them there, the film can start boiling tension and working its fun dynamics as an action flick. 

 

Sunday, July 28, 2024

It's My Duty: Customs Frontline (2024) Review

Director: Herman Yau

Notable Cast: Jacky Cheung, Nicholas Tse, Karena Lam Kar-Yan, Liu Yase, Francis Ng, Kenny Kwan Chi-Bun, Carlos Chan Ka-Lok, Michelle Wai, Ben Yuen Foo-Wah, Michelle Yim

 

Considering that director Herman Yau has been one of Hong Kong’s most prolific directors since the early 1990s, it’s fascinating how he has transformed his career to match what the market is looking for. His most recent stint combines a love letter to golden-age 1980s HK action and a craving for Hollywood-style spectacle. He still occasionally slides back to dramatic thrillers or horror films, but he has mostly stuck to his “guns” in recent years. 

 

After dropping four (!) large-scale action flicks in 2023, he’s back with Customs Frontline, which is receiving quite a bit of international press. Featuring two icons of Hong Kong cinema with Nicholas Tse and Jacky Cheung, Customs Frontline follows in the footsteps of some of his previous action blockbusters like The White Storm 3, Moscow Mission, and Shockwave 2. It’s bigger than life, filled with soapy melodrama, and brimming with action sequences that border on refreshingly insane. So, despite a thinly threaded script and characters that feel more like caricatures than people, it’s hard to deny that Customs Frontline doesn’t entertain. It does have a giant ass boat tear through other boats and docks in the neon glow of the Hong Kong skyline. There’s that. 

 

Thursday, July 4, 2024

The Fight for Freedom: Escape (2024) Review

Directed by Lee Jong-pil

Notable Cast: Lee Je-hoon, Koo Kyo-hwan, Hong Xa-bin, Seo Hyun-woo, Song Kang, Esom, Shin Hyun-ji, Lee Ho-jung, Jang Yo-hoon

"I'm going there to fail as much as I desire." - Lim Kyu-nam

Relations between North and South Korea have been explored via cinematic offerings for as long as the tensions began in real life. There have been many gems, some hidden and others praised universally, for the portrayal and explorations on-screen that highlight the intricacies and nuances between two very different countries and the powers that be, which ultimately shape how the citizens of each nation exist. If you want to see any films on this topic, you don't have to dig far. South Korea has been putting out titles for as long as I can remember, and a quick online search will give you an entire landscape of outings to explore. I will admit sometimes these films range in quality, and almost always, they have a very nationalistic leaning, which is to be expected to an extent, and Escape is no different in that regard. It sings its own praises quite loudly, but being a thrill ride that is meant to entertain first and foremost, this movie excels at delivering the goods. Escape is a taut thriller that keeps the tensions mounting to anxiety-inducing levels.

Thursday, June 27, 2024

Bite Sized Frights: Tastes of Horror (2024) Review

Directors: Ahn Sang-hoon, Yoon Een-Kyoung, Kim Yong-gyun, Lim Dae-woong, Chae Yeo-jun

Notable Cast: Chang Seung-yeon, Oh Seung-hee, Jang Ye-eun, Shin Eun-soo, Kim Ho-jung, Kim Tae-hun, Jo Jae-yun, Yoon Hyun-min, Jang Gwang, Son Jina, Lee Joo-young, Kim Joo-ryong, Choi Su-im, Park Jin-a

 

In the final segment of Tastes of Horror, two young women face off in a perverse eating contest live online. Both are part of the mukbang movement, a live online show where people eat things for their viewers, and their online rivalry is taken to grotesque new heights by the end, resulting in abusive reveals that showcase the horrors beneath. It’s fitting that this final story in this South Korean horror anthology, titled “Gluttony,” would take a darkly humorous look at the horrors underneath the entertainment. If anything, “Gluttony” acts as a kind of thesis statement for the film, despite coming in at the end, and highlights its strengths. 

 

Thursday, May 23, 2024

A Wicked Web: Infested (2024) Review

Director: Sébastien Vanicek

Notable Cast: Théo Christine, Sofia Lesaffre, Finnegan Oldfield, Jérôme Niel, Lisa Nyarko, Marie-Philomène Nga, Emmanuel Bonami, Abdellah Moundy, Mahamadou Sangare, Xing Xing Cheng

 

If you don’t like spiders, you should skip this one. Regardless, it would be best if you were warned that this is one of the best creepy-crawly films I’ve ever seen. Sébastien Vanicek makes his feature film directorial debut with Infested (Vermines in the original French) with a shiver-inducing tour de force that will leave audiences itching and staring into the dark spaces of their homes for years to come. After the success of his debut, Vanicek has been tapped to direct the next Evil Dead film, showing a meteoric trajectory for this young terrifier.

 

Kaleb (Théo Christine, Play 2019, Gran Turismo 2023) struggles to make ends meet and find meaning in his gritty urban life in Paris. After his mother's death, he and his sister Lila (Sofia Lesaffre, Lila Ganglands 2021, Les Misérables 2019) struggle to manage their meager inheritance, which Kaleb looks to subsidize by fencing shoes of questionable sourcing and pursue his lifelong dream of opening a reptile and insect zoo.