Director: Chang Cheh
Notable Cast: Ti Lung, Li Ching, Cheung Pooi-Saan, Ching Miao
As a big Chang Cheh fan, I’m always excited to watch one of
his films. Add to the mix Ti Lung as our leading hero and it’s already a recipe
for greatness in my eyes. For his 1971 wuxia film King Eagle though,
Cheh and company put together a great and effective flick that’s both action
packed and surprisingly dramatic. Personally, I am used to Cheh’s almost
gimmicky style (and there is some of that in here), but King Eagle
carries some substantial character arcs and a really effective romantic subplot
which comes as a big pleasant surprise in the end. It’s a flick that old school
kung fu fans will have to see.
After the headmaster of the Tien Yi Tong group is viciously
assassinated, the rest of the eight chiefs need to convene to promote the next
in the line who just so happens to be the man (Cheung Pooi-Saan) who
assassinated his boss. When a wandering swordsman known as King Eagle (Ti Lung)
stumbles upon some information about this assassination, he finds himself
fleeing from the vicious bandits…and right into the arms of the beautiful Yuk
Lin (Li Ching).
King Eagle is one of those films where a good portion of the film is carried by the strength of its leads as actors. Ti Lung showcases a massive variety of skills in this film as our titular character including some great subtle acting. Partnered with a really impressive performance from Li Ching (who pulls double duty as the romantic lead and her own evil and vain twin sister) and King Eagle has a lot of heart in the mix. Wuxia films all sort of have that romantic subplot, but thanks to the great performances from our leads it works impressively here.
King Eagle is one of those films where a good portion of the film is carried by the strength of its leads as actors. Ti Lung showcases a massive variety of skills in this film as our titular character including some great subtle acting. Partnered with a really impressive performance from Li Ching (who pulls double duty as the romantic lead and her own evil and vain twin sister) and King Eagle has a lot of heart in the mix. Wuxia films all sort of have that romantic subplot, but thanks to the great performances from our leads it works impressively here.
"Nice wagon, sir." |
This is just one portion of the main plot though which for a
wuxia film feels relatively subdued. It’s more or less a character driven epic
that keeps a efficient pace between the dramatic character beats and the
vicious fight sequences. Too many wuxia films tend to add a slew of characters
that can’t possibly be supported in an hour and a half, but King Eagle
has it perfectly balanced. Even for a film with four villains, each with their
own motivation for the upheaval of ranks, never did I feel any of them got
screwed when it came to fitting into the plot. It’s an impressive feat for Cheh
and company to pull off.
Don’t fear Chang Cheh fans, his signature intensity is still
present. The plot allows for some great moments of some crazy violence to be
had and our ass kicking King Eagle seems quite competent for the job. Just in
the first ten minutes or so we get into some serious body count numbers through
the assassination and following chase, but it’s some iconic scenes that really
utilize the action well. At one point, King Eagle is stuck holding a massive
cart from running over a small girl which leads to some brutal crushing and a
fight on top of the rolling wagon and the finale features a villain with clawed
fingers who tears out the throats of his victims. This is just the top of the
iceberg too. King Eagle pins a man to a tree with his sword, burns someone
alive, and even drags a man to death behind his horse. Seriously I didn’t
expect some of the deaths to be so brutal, but it’s completely fitting for the
film.
"Ah yes, I see now. You painted your claws." |
Written By Matt Reifschneider
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