Director: Ivan Sen
Notable Cast: Aaron Pedersen, Hugo Weaving, Ryan Kwanten,
Tony Barry, Jack Thompson
One has to admire a person that damn near does all of the
major pieces for a film. If I am not mistaken, Ivan Sen might as well have
acted all the roles in the film as he not only write and directed Mystery
Road, but he was also the editor, cinematographer, and composer for the
film. Considering the high-end execution of this subtle and slow burning drama
thriller, I have to commend this film for those looking for a rather
atmospheric flick... even if the writing comes off as a bit predictable and it
leaves some of the subtle subplots feeling unfinished.
Jay (Pedersen) returns to the small Outback town he grew up
in as a detective with a new outlook on life. He doesn’t return under the best
circumstances as he begins to investigate the death of a young girl left in a
ditch. The locals seem hesitant to let him back into their affairs though and
once he starts to dig; he uncovers a much bigger crime that might leave him
buried in his birthplace.
Outbackin' it up. |
One thing I do have to recommend about Mystery Road,
it’s that the film certainly sticks with you long after the film is done. The
story is fairly simple and Sen plays it with even less complication as he
focuses on adding in more subtlety than explosive moments. This does hinder the
film from reaching the heights of other crime dramas like Gone Baby Gone or
Mystic River which feature those kinds of explosive performances and
emotionally devastating endings, but the resulting execution for the film is
pretty impressive. In fact, a lot of the plot is so subtle that minute details
feel like they might play bigger roles later in the film like a forensic phone
call that details about the weird genetics of the dog bite on the victim…which
is more or less dropped to being visual cues later on. The attention to the
small details of the dialogue did keep my attention front and center on the
plot and it made the slow burn tempo still a riveting watch.
Partnered with some stellar performances all the way around,
particularly from Hugo Weaving whose shady police character devours scenes
whole, Mystery Road does have a lot going for it. The biggest issue that
remains for the film though is the shaky third act. Not to give too much away,
but the action oriented finale feels a bit out of the blue and many of these
subtle characters are left without much of an emotional punch. The
father-daughter storyline felt terribly underplayed and the finale made the
missed opportunity even greater as the film plays up her ‘disappearance’ as
something much bigger than it turned out to be. It simply plays out in the most
predictable ways with far too many characters left to the wolves as the plot
attempted to wrap itself up nicely.
Eye on the prize! |
All in all though, I was particularly impressed with the
sheer execution of the acting and meticulous attention to detail in Mystery
Road. Sen has an eye from some subtle and impactful visuals and his
character work is top notch, but the script could have used a few more drafts
to flesh out more of the emotional aspects of the film. This is a director to
keep an eye out for in the underground genre world as this film felt more like
a test than a true attack on the art form he was attempting. Mystery Road
might be flawed, but in many ways it’s these flaws that make the great aspects
so appealing.
Written By Matt Reifschneider
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