Notable Cast: Robert
Behling, Jane Lyle, Jessica Dublin, Gerard Gonalons, Jannice McConnell, Ray
Richardson, Marios Tartas, Efi Bani, Clay Half, Nikos Tsachiridis
Arrow Video Features: Brand new restoration from the original negative
* High Definition Blu-ray (1080p) and Standard Definition DVD presentation
* Optional English SDH subtitles for the deaf and hard of hearing
* Brand new interview with director Nico Mastorakis
* The Films of Nico Mastorakis - the director hosts this documentary covering his varied career in cinema, including a look at Island of Death
* Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys
* Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters
* High Definition Blu-ray (1080p) and Standard Definition DVD presentation
* Optional English SDH subtitles for the deaf and hard of hearing
* Brand new interview with director Nico Mastorakis
* The Films of Nico Mastorakis - the director hosts this documentary covering his varied career in cinema, including a look at Island of Death
* Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys
* Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters
There are many mysteries in our world. The heads at the
Easter Islands. Things that disappear in the Bermuda Triangle. Where only one
sock in a pair disappears during laundry day. The meaning of life. Yet, I’m
convinced that the greatest mystery of all is just how the hell Island of Death became a cult classic.
I’m all for grindhouse trash appeal with microbudgets, gimmick concepts, and
exploitative elements, but Island of
Death is just trash. There is no art to this film. There is no meaning to
the randomness of its plot. There isn’t even a plot at all. And while I completely
understand why Arrow Video would want to release a packed new edition with its
fairly enthusiastic cult following, I’m definitely not one to condone the film
itself as a ‘must see cult feature.’
This is a baaad idea. |
One has to give it to Arrow Video for jam packing this
release with all kinds of special features. The list above is substantial and very
enlightening compared to the uncut, um, ‘film’ that is also included in this release.
According to the director, Island of
Death was solely made to make a profit as a low budget film. After seeing
the amount of money that the original Texas
Chainsaw Massacre was raking in with its violence and perversion, he
decided to double…nay, quadruple down on the violence and perversion for
his film. Unlike The Texas Chainsaw
Massacre, Island of Death has no
plot and no characters to care about. Hell, it rarely makes sense from scene to
scene. However, for gore hounds and shock junkies, Island of Death is probably enough weirdness and macabre elements
to satiate cravings. It’s obvious that director/writer/producer/actor Nick
Mastorakis wanted to throw in as many shocking scenes (for the times) as
possible into the movie. You name it and it’s in here: crucifixion, incest, bestiality,
lesbian and gay sex scenes, sword killings, nude chases, peeing on people, and
a variety of other deaths/killings including one with melting. Half of the time
I wasn’t sure if it was supposed to be a joke or not as the lead characters
(who are villains with no redeemable or connective traits) seemingly just kill
people and drop silly one liners. After a short lived attempt at a plot device including
a detective that might have gone somewhere if story had been a focus, they dump
his body into the ocean and the character Christopher retorts a quip about
hoping that the dead guy has a water proof watch. I’m not sure if I was
supposed to be appalled, confused, or humored that the characters made a joke
at this moment. And it’s this state of unsure apathy that haunted me throughout
the film.
It’s too bad that Island
of Death is so horrendously made as there are some intriguing ideas to be
found here. The weird religious focus of their killing spree, the police involvement,
and even a twist in the end that had our two “protagonists” starting to turn
against one another. However, Mastorakis had no plan to take any of these further than to get us to the next random kill or sex (more often than not, both)
sequence. It’s these half assed tidbits of stronger themes underneath the
surface that indicate the truly horrifying film that Island of Death could have been, instead of the uneven schlock that
we get.
A gut ripping scene. |
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