Director: Alan Taylor
Notable Cast: Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, JK Simmons, Byung-hun Lee, and a cameo by Matt Smith
Terminator Genisys
is a reboot stuck in a conundrum. Just from the overwhelming fan reaction that
said “we don’t want new, we want more of the same!” that erupted after Terminator Salvation attempted to take
the franchise in a new direction, the makers of Genisys almost had to comply. But how do you make a new trilogy and
still give the audience the rehashed elements that they so desperately cried
for? This is how you do it. You take the greatest hit elements of the first
two films, blend them in with new technology by changing Skynet from a defense program to an app, and hope to God that something
sticks. Unfortunately, with Genisys
almost none of it works. Standing in the shadow just another recently released sequel/reboot
called Jurassic World, it’s almost
dire just how terrible this film is – one that is certain to enrage fans of the
franchise.
John Connor (Clarke) and Kyle Reese (Courtney) are on the
brink of winning the war against Skynet in 2027, but just like Connor predicted, Skynet sent back a Terminator to 1984. He’s left with no choice: he must send back Reese
to make sure history continues the way it’s supposed to. When Reese arrives
though, Sarah Connor (the other Clarke) is
not the waitress who needs a protector. She already has a reprogrammed
Terminator (Schwarzenegger) for that, and another killer T-1000 (Lee) is waiting for
him. This time it's different.
The wheels on the bus go off a bridge, off a bridge, off a bridge... |
There's a few moments in Genisys
where Kyle Reese, played with a super limited range by Jai Courtney, asks if
there is an off switch to keep our resident protector unit from trying to
explain the plot as it begins to get more complicated. I'm not sure if this was
intentional because the plot was already SO GODDAMN COMPLICATED or an indicator
to the audience to not think about the film because it DOESN'T MAKE ANY GODDAMN
SENSE. If you were a fan of the original film or the sequel, which generally
made sense from a loose time travel standpoint, then you’re going to feel like
you’ve been left in the past with how this film treats its plot. Some
questions are obviously answered, like why Arnold ages (“Old, but not obsolete.”)
but then the simple fact that Sarah and Kyle DON’T have sex in 1984 to even
create John Connor who later becomes the villain (not a spoiler, it's in the damn trailer) makes the rest of the film moot from a logistical standpoint. There will not be a John
Connor, at least not like the one we see as the villain for the rest of the
movie. But like Kyle indicates, don’t try and think about the relentless plot
progressions or massive soul devouring plot holes that arise…you won’t come
back from that kind of mindfuck.
To make matters worse, the film focuses so much on the plot
and moving it along that it often sacrifices two ingredients that might have
saved the film: characters and action. The first Terminator film was a film
whose tone and characters saved it from a low budget B-grade fate and the
attempts at homage to that film in Genisys are met with resounding failure. It’s
a bad day at the movies when the Terminator has better screen presence then the
rest of the cast. Most of the secondary cast is left out to dry with hum drum
pieces (J.K. Simmons and Byung-hun Lee are massive talents wasted here in throwaway
roles) and the film has to be carried by Emilia Clarke and Jai Courtney.
Neither are seemingly strong enough to overcome the scripts mighty, mighty
flaws and their characters come off as flat and unfitting. Both are decent actors
in the right roles, so one knows it has to be the film more than them. Even a
lot of the humor that they attempt to deliver stumbles out of the gate. There
were moments that could have worked, like the arrest sequence that is utterly
ruined by the Cops theme, but over
and over again it just fails.
That leaves us with the action, the one thing that could
have saved the entire film from swirling down the drain. Hell, if it wasn’t for
some strong action set pieces the third film Rise of the Machines would have been downright abysmal, so it can
work—just not here. It’s obvious that Genisys
tries desperately to inject plenty of the “classic” Terminator action beats that fans would crave. Chase sequences
featuring a liquid metal man, plenty of robots smashing each other through
walls, a big vehicle chase destruction set, and even the factory setting for
the finale. What happens though is that despite these attempts at creating memorable
action, almost none of it sticks. If it wasn’t for the semi-fun Arnold versus
Arnold fight in the opening that’s way too brief, Genisys
wouldn’t have anything that feels fresh. This redundancy is partnered with an
unusual lack of tension too. Never once did I find myself fearing for their safety
and the lack of ‘life or death consequences’ made much of the action yawn
inducing instead of edge of your seat material. Genisys gets a B for effort in this category, but it’s far too little
and far too late to save this film.
You've got to hand it to him, he keeps this film afloat. |
As a longtime fan, it saddens me that the franchise would
see a new low with this reboot for the franchise. Terminator Genisys is simply too much nonsensical plot, not enough
character work, and too redundant in its homage to the original films to be a
worthy successor for this series. There is so many more specific complaints I
have about the film (particularly in the plot holes), but it’s not worth the
time to dive into those when there are better films to use my time to bring
attention to. For fans, Genisys is
going to be a huge disappointment and for new fans, I hope they rediscover the
brilliance of the first two films instead of latching onto what this film has
to offer.
Written By Matt Reifschneider
I knew we where in for a steamy pile of crap when they showed terminators capturing people in concentration camps and after a while Kyle Reese said "i can't wait to use this hands for something else than killing" (?????) Clueless people handling beloved franchises.
ReplyDeleteJai Courtney is cinematic poison. He killed one beloved franchise with A Good Day to Die Hard and now this steaming pile of puke. Emilia Clarke was nice to look at though and had an ass that just won't quit
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