Director: Owen Harris
Notable Cast: Nicholas
Hoult, James Corden, Georgia King, Craig Roberts, Jim Paddock, Joseph Mawle, Ed
Skrein, Tom Riley
Sometimes, particularly when you dredge through the
undercurrents of modern cinema, one gets the scent of what will become a cult
classic in the near future. Dark comedies are always ripe for this path as they
alienate the mainstream audience with their subject matter or style and usually
only secure funding if they are tight and effective at being a dark comedy. Kill Your Friends is exactly this kind
of film. It’s an effectively written and executed dark comedy that lathers on a
sort of horror tinged charm to its proceedings while maintaining a quirky
vulgar edge that perfectly fits into the ‘cult classic’ category. While it’s
not up to par with the likes of American
Psycho in setting standards for the style, it ably nestles itself to being
a film that can easily be mentioned in the same conversation without skipping a
beat – which is a huge compliment unto itself.
Steven (Hoult) is a brash and ambitious young A&R man
for a British music label in 1997. He’s vicious, unrelenting, and underhanded
which is perfect for the industry. He’s looking for a promotion though and
nothing is going to stop him. No matter what. No matter who he has to screw,
manipulate, undercut…or even kill.
Hero...or villain? Protagonist. |
To say that Kill Your
Friends isn’t the film for everyone might be something of an understatement.
There are dark comedies and then there are films that are dark enough they just
happen to be funny – for those with the right sense of humor. Kill Your Friends falls into the latter
category. On the surface, the film is a hybrid of drama, thriller, horror, and
comedy, but the comedic aspects of the film only really rise to the surface
through the film’s quirky style and oddly cold approach to its often abrasive
subject matter. Our protagonist Steven leads the audience down a fantastical
path of sociopathic tendencies using his vulgarity and thought bubbles as a
kind of charm that allows him to survive in the cut throat industry of mid 90s
music labels. Nicholas Hoult alluringly handles the often shocking, but
truthful demeanor of the lead, further proving his talents as one of the best
actors in the scene that doesn’t garner nearly enough attention. He’s
surrounded by a diverse and effective secondary cast that really feed into
Hoult’s own performance which gives the film a sort of pulsating energy that
works wonders. Steven is not an easy role to handle, but Hoult’s performance
carries the film impeccably and gives the character that sharpness needed for Kill Your Friends to gel.
However, I think the true star of the film happens to be the
combination of director Owen Harris and screenwriter John Niven (who is adapting
his novel for the film) which translates to an offbeat style that keeps the
audience nervous. Films with narrators – and more specifically narrators that
break the fourth wall – can be a train wreck if not handled properly, but Kill Your Friends handles it with the
utmost ease. The film does occasionally struggle with taking the novel’s
structure and translating it to the screen which results in a third act that
seems rushed to wrap up certain subplots – some, like the story of a black
mailing secretary come as a shockingly effective surprise, and overall it
actually works in the film’s favor as it keeps the audience on their toes. At
times, it feels as though they needed to simplify things a bit more to give the
film a sharper edge, but the style visually and conceptionally had me hooked.
Again, it’s not a film for everyone as it seems to embrace its abrasiveness,
but Kill Your Friends works its own
quirks with remarkable finesse.
Neon club lights. |
As far as dark comedies go, Kill Your Friends is top of the pack and worthy for those of eccentric
tastes to seek out and see. Truthfully, this will end up being one of the
better comedies released the year and it’s sad that it will probably end up
being an overlooked gem. So if you are reading this review for whatever reason,
you should support it with a purchase and share it with your friends. It’s not
often that people can be on the front wave of a future cult classic, so now is
the time to start cheering on the awesomeness of Kill Your Friends.
Written By Matt Reifschneider
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