Director: Justin Lin
Notable Cast: Chris
Pine, Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, John Cho, Anton
Yelchin, Idris Elba, Sofia Boutella, Joe Taslim, Lydia Wilson
When Star Trek Beyond
was initially announced, I’ll admit that I was hesitant. I didn’t love Into Darkness like I thought I would,
behind the scenes turmoil left this third film in the reboot series with
writing issues, and JJ Abrams vacated the director’s seat to transfer franchises
and make a Star Wars movie. Needless to say, it seemed like Star Trek Beyond was going to be lost in
space. Fortunately, Paramount and company seemed to understand that this film
needed an injection of new life and that they needed to go back to basics. Star Trek Beyond does just that – Doug Jung
and Simon Pegg aptly embrace the episodic adventure formula of the original
series and director Justin Lin pulls away from the overly complex attempts
selling the science fiction and guns for a much more straight forward approach –
and it works impressively at what it wants to execute. Color me captivated.
Kirk (Pine) and his crew are towards the end of their elongated
stay at the edge of space on the Enterprise and their pit stop for supplies at
a massive space station puts them on a new mission: investigate a fringe planet
and rescue a standed vessel. However, when they get there they find that an
evil villain (Elba) has other plans for the Enterprise and its crew.
Here comes the Kirk. |
This year marks the 50th anniversary for the Star Trek series and that means that Star Trek Beyond had a tough role to
play. Could it continue to be the modern series and retain those qualities
while still honoring the series legacy? Considering how difficult of a task
that was, it’s hard not to be impressed with what Star Trek Beyond gives us as a new entry that gives plenty of nods
to the original without trying to shoehorn in moments that pale in comparison
to its foundations (cough, Into Darkness,
cough). A big key to the film’s success is its simplified focus. Early on in
the film, Kirk makes a comment in his log about his journey into space feeling episodic
and how it weighs on him heavily. Truthfully, feeling more episodic is just
what this franchise needed after gorging on too much in the previous entry and
that’s what Beyond does. There are
certainly building blocks used from previous entries, including references to Ambassador
Spock (rest in peace, Leonard Nimoy) and the character arcs are continued, but
this film sits nicely on its own focusing on telling one solid story versus
over layering to expand the universe. Writers Jung and Pegg obviously know
their Trek and they keep a lot of the
elements that made the original series what it was including just enough
entertaining humor, tons of adventure, and just enough social commentary to
make it thoughtful underneath the fun and camp. In fact, some of the commentary
about unifying against the pressure of a terrorist group that seems to be
everywhere is wholly needed right now in cinema and remains true to the Star Trek way of looking at humanity’s
progress which gives the film a lot more relevancy than expected. This also gives Beyond a lot of heart and thoughtfulness
to match its relentless pacing and spectacle driven fun. Truly, the balance is
right on with this film.
Execution wise, Star
Trek Beyond really has fun with the script and characters that it has on
hand. Director Justin Lin might not be the artistic champion of cinema that so
many people seem to hate him for not being, but he might be the perfect
candidate for what this film had in mind. Even then, the film tends to want to
remain in sync with the previous films so it retains a bit too much of Abrams
style of kinetic camera work that seems to undercut Lin’s talents as an action
director. There are moments where Lin’s style comes out to play, including a
well shot and choreographed hand to hand combat scene between series newbie Jaylah with one of the main villains and a
gravity shifting final race against time between Kirk and Krall at the very end,
but too often the film pulls away from his use of space and timing for the sake
of keeping the style in line with the rest of the series. It does occasionally come off
as disappointing that he's not allowed to run with his own style.
Her house, her chair. |
Lin’s knack for balancing action with heart and the fun
script due make for a lot of great character moments in the film that might be
the true reason Star Trek Beyond is
as successful at what it does. Sure, throwing Kirk on a motorcycle seems silly,
but it’s fitting for the character and makes for an exciting sequence and each
of the main crew members seem to get a bit more time to have sparked chemistry
with one another this time around. The casting is as good as it always was and Beyond lets the audience see why it’s so
good by letting the characters BE the characters we know and love. Having the
crew separated into groups at the start of the second act allows a lot of this
to happen – giving us that great Spock and Bones banter that made the original series
so much fun – and the writing and direction run with that momentum nicely. Even
the newcomers like Boutella and the shifting agony of Elba as the villain
really fit in with the rest perfectly. There is still a nice range of emotion
to be had, but there is also a sense that nothing here is as nearly
melodramatic as this reboot series has attempted before which is a welcome change of pace
for the audience.
In the end, Star Trek
Beyond doesn’t quite match the blend of science fiction smarts and fun
adventure that the 2009 reboot nailed coming out of the gate, but it’s a certainly
an improvement from the scattered and overstuffed writing that plagued Star Trek Into Darkness. Fans will
appreciate the little acknowledgements to Trek
past that are slyly slid into the script (for the record, I love how the film
opens up with Kirk replicating the feelings and tones that were present in the
original Star Trek series’ pilot) and
it remains a fast paced and charming action adventure for those that may not be
fully familiar with the series either.
"Hold on, I'm writing this sucker now." |
For the 50th anniversary of one of the longest
running and biggest fandoms on the planet, Star
Trek Beyond is just what this franchise needed to reground itself even if
it is not a perfect film. Now that the foundations have been reset and the
homages have been paid, let’s hope that Star
Trek 4 goes boldly beyond the mold and delivers something fresh for the
series.
Rest in peace to both Leonard Nimoy and Anton Yelchin. Your
work on this series will forever be remembered and appreciated. Never before
has a quote from this series ever seemed so fitting for both of these talented
men:
“We are assembled here today to pay final respects to our honored dead. And yet it should be noted that in the midst of our sorrow, this death takes place in the shadow of new life, the sunrise of a new world; a world that our beloved comrade gave his life to protect and nourish. He did not feel this sacrifice a vain or empty one, and we will not debate his profound wisdom at these proceedings. Of my friend, I can only say this: of all the souls I have encountered in my travels, his was the most... human.”
“We are assembled here today to pay final respects to our honored dead. And yet it should be noted that in the midst of our sorrow, this death takes place in the shadow of new life, the sunrise of a new world; a world that our beloved comrade gave his life to protect and nourish. He did not feel this sacrifice a vain or empty one, and we will not debate his profound wisdom at these proceedings. Of my friend, I can only say this: of all the souls I have encountered in my travels, his was the most... human.”
Written By Matt Reifschneider
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