Notable Cast: Adam
Cheng Siu-Chow, Alexander Fu Sheng, Kara Hui, Hsiao Ho, Lau Kar-Wing, Gordon
Liu, Wong Ching-Ho, Lydia Shum Tin-Ha, Johnny Wang, King Lee King-Chu, Cheung
Chin-Pang
It’s not surprising that when I was first looking into
picking up the Shaw Brothers film Cat vs. Rat, I read a lot of mixed things
about the film. Despite being directed by the legendary Liu Chia-Liang and
featuring a regular slew of his actors, Cat vs. Rat is a wholly mixed
effort even fringing on being one of the lesser films I’ve seen from the Shaw
Brothers catalog. If there is anything that this film has going for it, it’s
that the focus seems to be on being a ‘fun’ film over anything else, driving
towards being a slapstick comedy in the vein of what was popular in the cinemas at the time. However, the sacrifices
that the film makes with its narrative, characters, and overall approach for
the sake of a joke is not worth it and it ultimately crumbles apart under a
scrutinizing eye. It’s a silly movie and taken as such is rather inoffensive,
but for those looking for another Liu Chia-Liang classic than this is hardly on
that scale.
Jien Chiu (Adam Cheng Siu-Chow) and Bai Yu Tong (Alexander
Fu Sheng) have been out to beat one another for a very long time. Both taught
under the same teacher (Lau Kar-Wing), their skills are impeccable similar, but
each one is out to be the better of the two. When the Emperor (Gordon Liu)
shows up in town, the two unwittingly involve him in their duel which leads to
a life or death confrontation where the two will have to work together to
survive.
 |
| Those hats...are...just...not hats? |
Truthfully, the synopsis I wrote above makes this film sound
like a classic Shaw Brothers film, using themes about rivalry and loyalty to
strike points about how the martial arts should be used. In damn near any other
Liu Chia-Liang film I would assume that’s exactly how this film would play out
and it was the assumption of this approach that made the film feel wholly
misguided. Not only does
Cat vs. Rat play almost every scene and character as a
broadly painted joke, but it never feels the need to ground itself to any of
the potential themes about brotherhood, justice, or loyalty that it hints
towards. At times, it almost seems like this was the intent. That perhaps Liu
Chia-Liang wanted to make a spoof of his own work, play up the gags, and just
have fun. I can’t imagine that’s true, considering the rest of his filmography,
but the relentless pursuit of this approach certainly has shades of being
intentional. However, I’m sure it had more to do with the rising popularity of
slapstick kung fu comedians like Jackie Chan and Sammo Hung of the time period
and the replication of their success more than anything else.
 |
| A battle of nitwits. |
Even then, if one were to assume that the intent was nothing
more than to play out the kung fu tropes as a series of slap stick and over-emoted
gags,
Cat vs. Rat doesn’t necessarily even make that work as well as it might
have. The film spends far too long establishing the rivalry between the two
leads, of which it spends a substantial amount of time on Alexander Fu Sheng’s
Rat and Jackie Chan-inspired performance than anyone else, and doesn’t
introduce many of the actual plot elements that drive the story. The film only
starts to really get interesting in the last 15 minutes of its run time, when
the Cat and Rat are finally forced to work together to hunt down Rat’s gang and
retrieve a Royal Seal for the Emperor and it showcases the buddy cop formula
that might have worked to the film’s benefit had it come 30 minutes earlier,
and it’s too late to truly salvage the film’s meandering narrative. In the meantime
there are a lot of fun fight sequences that use Liu Chia-Liang’s stellar
choreography to keep the audience intrigued and there are a handful of silly
moments that might garner a chuckle, but it seems like a lot of fluff for a
film that has no substance below it – if not actively engaging in mocking what
little substance it has.
 |
| Go go Rat Formation! |
For those looking for a different film tone from Liu
Chia-Liang that embraces the slapstick humor that was actively gaining
popularity in Hong Kong in the early 80s, than perhaps
Cat vs. Rat will not be
so bad. It has its charms in the silliness and a few of the smaller roles are
solid. Props go to Lau Kar-Wing for being perhaps the funniest part of the movie
as their frustrated teacher. However, even then, Liu Chia-Liang hit bigger strides
in grounding this style in
Return to the 36th Chamber or the wink-wink
love story of
Heroes of the East than he does here.
Cat vs. Rat is a film
mostly for those obsessed with Shaw Brothers more than anyone else. Take it
with a grain of salt and the film will be fun, but it's hardly anything more than that.
Written By Matt Reifschneider
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