Director: Steven
Kostanski
Notable Cast: Taylor
Spreitler, Pepi Sonuga, Sai Bennett, Heather McDonald, Emily Reid, Oliver Llewellyn
Jenkins, Leon Clingman, Mark Holton, Linden Porco, Pete Spiros
To properly address Leprechaun
Returns, we need to start by having a brief conversation about the Leprechaun franchise thus far. After the
first film came out with a bang, utilizing the emerging direct to home video
market and developing a video store cult audience, the series has seen its
relative ups and downs. This is a franchise that was never meant to be taken
seriously. The tongue is very, very firmly planted in cheek from the onset.
Whether or not you are willing to ride the series through its waning issues of
quality and over reliance on gimmick is more or less a question of how far you
are willing to accept ridiculousness and horrific puns. When the series suffered
a reboot back in 2014 with Leprechaun:
Origins, it was a wild mistake and wholly misguided venture that left most
people, even those who enjoyed the series, myself included, perplexed. Did we
ask for a super serious, dark, and modernized manipulation that forgot
everything that was core to series?
Fast forward to 2018 and now we have Leprechaun Returns. It’s a fitting title since, quite frankly, the
intent of this film is to not only get the franchise back to what made it
popular in the first place, but it’s going the route of ignoring most of the
series in favor of creating a direct sequel to the original video rental hero.
Thus, it’s a return to form. In that manner, Leprechaun Returns is quite effective. The film focuses on the
daughter of Jennifer Aniston’s heroine from the original, who sadly does not
make a cameo in the film, as she joins a sorority to a local college in
attempting to make the old house from the original a self-functioning and
“green” commune. Naturally, to do so they need to use the well that is the
resting place of the rhyming and creepy leprechaun and… I’m sure you can see
how this ends up.
Like most of the Leprechaun
films…excuse me, all of the Leprechaun
films, Returns is not one that is
meant to invoke a lot of artistic merit. Director Steven Kostanski, most widely
known for the insane cult film The Void,
knows this and embraces everything about the original handful of Leprechaun films while completely running
with it. This film is littered with broad stroke and eye-rolling caricatures
(hardly characters) and there is an obvious sense that the film has little
intent in crafting any larger narrative outside of the standard horror
structure. We get lots of silly people doing silly things being killed in silly
ways.
It's refreshingly old school.
Returns instead
focuses on delivering the things we expect from a Leprechaun film: inventive kills done with deliriously entertaining
practical effects, terrible rhymes from the villain that often utilizes one
liners and puns, and inconsistent but hilariously fun fantasy driven horror.
This series was made popular on those things and Returns delivers it in spades. The film has a creative whimsy to
them that it was hard to wipe the stupid grin from my face for the whole run
time. There are a handful of kills that are spectacular, just hold your breath
for the sprinkler one, done with a love for old school practical gore effects,
the plot is just plain dumb with rapid fire jokes galore about the inconsistent
plot and characters, and the director intends to show his love for comedy
horror in a few key homages – including a very upfront sequence meant to invoke
Army of Darkness. It’s obvious that
the makers of this film had a love for the series and it’s evident in how they
approach the material. They even went as far as to get Mark Holton back to
reprise his role as Ozzie, which surprisingly ends up being the best part of
the film.
If you know anything about the Leprechaun series, you already know whether or not this film is
going to work for you. It’s hardly anything new to the series and it damn sure
isn’t any kind of artistic horror that is going to invite a lot of new folks to
see the franchise, but Leprechaun Returns
is blissfully aware of what it is and why fans love these films. It plays up
all of its strengths, addresses its weaknesses with humor, and delivers on an
old school horror approach that does what it was supposed to do: give fans a
reason to return. In that way, Leprechaun
Returns is easily one of my favorites of the year. It’s not a good film in
the classical film critique sense, but it’s also just what I wanted/needed from
it.
Written By Matt Reifschneider
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