Director: Ulysses
Au-Yeung Jun
Notable Cast: Mang
Fei, Dorian Tan Tao-Liang, Doris Lung Chun-Erh, Liu Ping, Wei Ping-Ao, Hsieh
Han, Yi Yuan, Ma Chiang, Huang Fei-Long, Li Min-Lang, Chang Fang-Hsia, Eagle
Lee Siu-Fei, Wang Pao-Yu
Also known as: Enter
the Whirlwind Boxer, Young Hero of Shaolin, Drunken Master Dollar Fist
For the most part, considering how many martial arts films
were created in a relatively short span of time, there are not nearly as many
franchises as one would expect. Particularly from the non-major studios of the
time and area. Yet, The Prodigal Boxer
did spawn at least one. It is often not released under the title The Prodigal Boxer II, but most
frequently seen under its title Enter the
Whirlwind Boxer or as the poster attached to this review states, Young Hero of Shaolin. If you watch it on Amazon Prime, you get both titles as
it’s called Prodigal Boxer 2: Enter the
Whirlwind Boxer. Surprisingly, The Prodigal Boxer II is a true sequel. Not just
in title. Although the film disappointingly shovels off all of the characters
from the first except for our hero Fong Sai-yuk, once again played by Mang Fei,
it does reference the events of the first one and even features a flash back to
the finale once our hero finds out what his current quest is going to be. It’s
relatively fun that it, at least, attempted those connections even if the film
does somewhat forget the romantic subplot and the fantastic mother/son relationship which made the original so strong. On it's own though, The Prodigal Boxer II does entertain enough with its gimmicks and strong action.
Interestingly, The
Prodigal Boxer II replaces one formulaic martial arts narrative, the young
hero learning to overcome the villain who wronged his family, with a completely
different one where he must uncover a villainous group and fight through a
series of gimmicky henchmen to face off against a corrupt big baddie. What
makes this one a lot of fun the is titular “whirlwind boxer,” who is a third-party
fighter who wants to challenge Fong Sai-yuk and ends up embroiled in the entire
quest for justice and ends up becoming a fun frenemy for the hero. Their
relationship is key to what does work in the film even when the film feels a
bit too by-the-numbers as it goes.
The big issue that arises in The Prodigal Boxer II is the fact that the film lacks a bit of that
flair and emotional center. There’s a lot of fun to be had, particularly
through the character interactions and the gimmicky villains, but the emotional
core of the film ultimately feels hollow. There’s a tad of that brotherhood
element, but a semi-incoherent plot concerning the only two female characters
and that missing familial portion of the first film just makes it a bit
too formulaic. Part of the fun of the film is the diverse action sequences.
Choreographed by the iconic Lau Kar-Wing, the film embraces its gimmicks for
some dynamic action, far more than its predecessor. Evil shaolin monks, poison
nets, and throwing axes make the film outlandish and entertaining. If only there
was a bit more depth to the story and the main character, then it might be
worth it.
The Prodigal Boxer II,
aka Enter the Whirlwind Boxer, is
still quite the entertaining jaunt. It’s not nearly as stylish or emotional
effective as the first film, lacking that sense of character growth and
chemistry between characters, but the film sure is a fun and enjoyable martial arts film for the fans. The use of the new fighter and his brotherly connection to
Fong Sai-yuk is fantastic and the gimmicks are rapid fire, so keep that in mind as
you dig into this one. A bit more layering and some stronger character
development would have done it a world of good, but as is, The Prodigal Boxer II is a decent sequel.
Written By Matt Reifschneider
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