Directed by: William Eubank
Notable cast: Kristen Stewart, Vincent Cassel, TJ Miller,
Jessica Henwick
Underwater is a fascinating movie to try and review
critically. In a lot of ways, it’s a deeply problematic script and a movie out
of time, but it’s also handled very deftly with supreme direction, acting, and
cinematography. It’s a disaster movie and creature feature all smashed into
what is ultimately a harrowing, breakneck couple of hours at the theater.
The streamlined plot starts with Norah, very adroitly played
by Kristen Stewart (who I normally like anyway, but is notably acting a step up
from her normal “Prozac” energy level) in a deep-sea control platform for a
nearby giant drill. This is a sci-fi concept, and deeply a sci-fi movie, in
equal measure to its horror and it is a big pill to swallow early on. If you
decide you’re along for this ride from here, however, it doesn’t ask for a much
deeper suspension of disbelief, as the station inevitably starts buckling,
collapsing and imploding under the unimaginable pressure. From here, Underwater
is in nearly all ways a disaster movie and is internally consistent
throughout. The stakes and danger are made immediately clear as she gathers
other survivors and they face things like having to walk in really cool looking
futuristic pressure suits on the seafloor, and the film is very explicit about
what happens if the suit fails. Everything is collapsing behind them, driving
the characters and plot ever forward as they head to the drill itself, in hopes
of finding functioning escape pods.
The group, notable in its inclusion of TJ Miller providing
dry comic relief, Iron Fist’s Jessica Henwick as the terrified research
assistant, and Vincent Cassel as the haunted captain, all put in really solid
performances and the practical costumes go a long way in making this movie feel
grounded. They all play the situation with a deadly seriousness. Also, the camerawork
is simply phenomenal. A lot of tight, solid shots that give everything a deeply
claustrophobic feel, which the film uses to its credit. If it rips anything off
of Alien especially well, it’s the helplessness of the situation. There
is no one coming to save them. It’s not even a distant possibility.
Among the other things that are less great, this definitely
feels like two screenplays fused together and not especially well. Also, for
every positive thing I said about the movie I can point to a line of dialogue that
is just bad. The actors are acting the crap out of it, and the net effect
works, but the dialogue in and of itself is just flat. Also, again, the
monsters themselves are just not interesting looking. Very much in the “clawed
mercreature” archetype, it was kind of a bummer in a movie that’s otherwise so
cool looking. It is threatening, however. Fast and insanely strong, it darts
around in the darkness of the ocean floor and does spice up an already brutal
survival scenario.
There is no aspect of Underwater that is especially new,
but it is a familiar tale told with some excitement, some definite style and
with some real thrills. It’s a breezy couple of hours of escapism, and though
it lacks any themes much deeper than “Underwater drilling is bad” and
“corporations are evil” it’s still definitely worth the price of admission.
Written By Sean Caylor
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