Director: Lars Damoiseaux
Notable Cast: Maaike Neuville, Bart Hollanders, Benjamin
Ramon, Clara Cleymans, Annick Christiaens, Eric Godon, Joshua Rubin
When it comes to the (shiver) zom com, I’m a rather
unforgiving critic of the genre. Comedies are rarely my thing and the zombie
sub-genre is so played out at this time that, as I mentioned in my review for
Blood Quantum, it’s something of a chore for me to jump into again and again.
Yet, Shudder has been something of a wonderful well for finding exclusive
material that is, even at its worst, intriguing. It’s the latter that
eventually lead me into pressing play to stream the Belgian zom com Yummy
to begin with. While the film certainly features some decent pieces to it that
will appease fans of gore gags, goofy side characters, and insane setups, it’s
also a film that rarely hits the heart of its narrative in a way that lifts it
above the gags.
When a couple decides to go to a cheap clinic for a breast
reduction surgery (with the wife’s mother tagging along for support,) they
accidentally stumble into a facility that also happens to be testing drugs that
reanimate the dead. When an accident unleashes a zombie into the facility,
everything quickly dissolves into chaos and the couple, along with a handful of
other survivors is tasked with escaping the complex.
Almost immediately, Yummy presents itself as a film
that heavily relies on many of the basic comedy tropes that intend to appeal to
a very broad audience. A car ride with the irritating and overbearing
mother-in-law, plenty of big breast jokes, and they even throw in the skeezy
male secondary character that puts the moves on the wife and attempts to thwart
the goofier husband – because I assume that’s something a person would do in
the wake of a zombie outbreak in a hospital. As mentioned, comedies are rarely
something that hits home for me and so much of the humor in Yummy is
generic caricature work. There were only a few jokes that truly hit for me, but
if you enjoy your giggles in the low brow and broad variety then perhaps this
one will have a higher batting average than it did for me.
With the ‘com’ elephant addressed, it’s time to address the
‘zom’ part of the genre. Yummy, for all of its silliness and modern
slapstick wink-wink attitude, actually delivers on some fun zombie chaos.
Granted, the setting of the hospital and the overall zombie designs are not
much beyond ‘meh,’ the fact that the film has the wherewithal to focus on
delivering its gore with practical effects automatically gives it an edge. The
gore is effective, the atmosphere when it leans horror is heavy, and it allows
the film to deliver a final 15 minutes that is both tension-filled and
shocking.
Yummy may not be the best of the zom com genre, nor
is it particularly memorable outside of a few gore gags and a fantastic dark
edge to the final act, but with the right mindset fans will enjoy it.
Considering it cost me nothing with my Shudder subscription, it’s a fine way to
burn 90 minutes.
Written By Matt Reifschneider
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